N. Clark, 5200 to 5500
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W. 2020 alley, 900-800 N
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Something a little different: the alley next to Damen, and some sounds of winter. I wasn't sure how to notate a Chicago alley, so I'm calling it the west 2020 alley. Features gate opening and closing, walking on and crunching ice/snow, kicking around other litter in the alley, some guy vacuuming his Mustang or something, an airplane overhead, some men at work near the end, and a big CTA bus at the very end. And of course the ubiquitous whup-whup of walking, cars in the distance, and wind noise.
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Fun, free, online audio… toy?
I'm not really a fan of software that emulates audio hardware, like Propellerhead Reason. If you need that crutch in order to adapt to the computer paradigm, it's fine, but why not take advantage of the fact that it's a computer and can do other things too? If I've already offended you, better read on...
That said, the Hobnox Audiotool is one of the best online implementations of hardware emulation that I've seen. It's a Flash concoction, wit yer 808 and 303, buncha pedals, mixer, draggable connections and configuration. Doesn't seem like there's any input, and limited to recording 5 minutes, but that's not really what it's about. Imagine rolling into a gig and busting this out on your shiny new iPad, while the dazzled crowd dances on in rapt... oh yeah, the iPad (and 'Pod) can't run Flash.
But if you're on a computer with speakers, you might enjoy trying this out:
W. Bryn Mawr, 1400
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walking noise, cars, muffled conversation, big-ass truck near the end
Death to IE6
The web company I work for finally gave the development axe to Internet Explorer 6, which was released in 2001. Surprisingly some people have not upgraded to the current version, which is 8, and which is FREE. Developing for IE6 really slows and limits a designer/developer, since IE6 cannot easily do many of the things current browsers do, and is not compliant with current standards.
Booting IE6 opens a new world of creative possibilities for the web designer, like a rock band not having to write songs on ukeleles, or an oil painter not having to use Crayola anymore, or an author not having to write for stupid people.
Bounte remix of Silver Atlas
Getting right to the point, I hope you enjoy this remix I made for Silver Atlas:
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When I remix a song, I tend to approach it as a new arrangement of the song. So to answer my own question about "what is the purpose of a remix," for me it's an exercise in writing and arranging. Maybe some people don't need, want, or enjoy such practice. But I do, and it only makes me better at what I do.
Silver Atlas remix contest
My pals over in Silver Atlas have put up a remix contest at their site, with prizes including some graf styled swag and DJ play of your mix. My friendship aside, I'd say they've provided some mix stems that are way above the usual fare. If you like mixing, go getchoo some, or at least follow the link and enjoy listening to the original track. Alan will be featured singing on a few upcoming Bounte tracks, so you can get an early dose from Silver Atlas.
Beatserv Detroit
All my wandering around downtown Detroit finally came to fruition with Beatserv's Detroit Sound Pack.
The first in a series of urban soundscapes gone idm, Detroit turns the clamor of a city into an essential percussion library. Our city series includes both raw unprocessed samples as well as bits and glitches created entirely from these original samples. Detroit includes 105 samples within two kits — clean and procedural — in Battery 3 and Live Pack formats. 24 bit WAV files are also included.
You can listen to audio samples and get the pack at the Beatserv site.
The Nature of History at Wikipedia
I spend time wandering around Wikipedia, like most people who take a virtual break from computer work. And I occasionally hit the pages that pertain to people I'm affiliated with. I was a bit surprised this time, when I hit the Positron Records page, and saw it was slated for deletion due to unreliability and not being noteworthy. I've noticed this happen to a lot of pages I look at on Wikipedia, but Positron Records seemed like a pretty safe article for years.
This makes me question the historical value of Wikipedia. Something can be noteworthy for years, but as its popularity falls off and people forget about it, and articles and other references that were written about it disappear as other websites go down and print publications are forgotten, the "editors" that troll Wikipedia are quick to, um, edit. This circumstance indicates to me that Wikipedia is strongly subject to the bias of trends and culture. Rather than an accurate record of our shared history, Wikipedia will be an edited, deleted, and rewritten history. The same strength of having all people able to edit the wiki is the weakness that will bring out that bias.
I suppose it can be argued that truly noteworthy events, places, and people will stand the test of time. And maybe our cultural memory works like our own brain, having a short term and a long term, and needs to forget some things after a while, to make room for new memories.
W. Chicago, 1800-1900
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