Bounte
26Jan/100

Death to IE6

The web company I work for finally gave the development axe to Internet Explorer 6, which was released in 2001. Surprisingly some people have not upgraded to the current version, which is 8, and which is FREE. Developing for IE6 really slows and limits a designer/developer, since IE6 cannot easily do many of the things current browsers do, and is not compliant with current standards.

Booting IE6 opens a new world of creative possibilities for the web designer, like a rock band not having to write songs on ukeleles, or an oil painter not having to use Crayola anymore, or an author not having to write for stupid people.

24Jan/100

Bounte remix of Silver Atlas

Getting right to the point, I hope you enjoy this remix I made for Silver Atlas:

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download

When I remix a song, I tend to approach it as a new arrangement of the song. So to answer my own question about "what is the purpose of a remix," for me it's an exercise in writing and arranging. Maybe some people don't need, want, or enjoy such practice. But I do, and it only makes me better at what I do.

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20Jan/100

Silver Atlas remix contest

silver atlas remix contestMy pals over in Silver Atlas have put up a remix contest at their site, with prizes including some graf styled swag and DJ play of your mix. My friendship aside, I'd say they've provided some mix stems that are way above the usual fare. If you like mixing, go getchoo some, or at least follow the link and enjoy listening to the original track. Alan will be featured singing on a few upcoming Bounte tracks, so you can get an early dose from Silver Atlas.

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18Jan/100

Beatserv Detroit

Beatserv Detroit

All my wandering around downtown Detroit finally came to fruition with Beatserv's Detroit Sound Pack.

The first in a series of urban soundscapes gone idm, Detroit turns the clamor of a city into an essential percussion library. Our city series includes both raw unprocessed samples as well as bits and glitches created entirely from these original samples. Detroit includes 105 samples within two kits — clean and procedural — in Battery 3 and Live Pack formats. 24 bit WAV files are also included.

You can listen to audio samples and get the pack at the Beatserv site.

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10Jan/102

The Nature of History at Wikipedia

Here today...

I spend time wandering around Wikipedia, like most people who take a virtual break from computer work. And I occasionally hit the pages that pertain to people I'm affiliated with. I was a bit surprised this time, when I hit the Positron Records page, and saw it was slated for deletion due to unreliability and not being noteworthy. I've noticed this happen to a lot of pages I look at on Wikipedia, but Positron Records seemed like a pretty safe article for years.

This makes me question the historical value of Wikipedia. Something can be noteworthy for years, but as its popularity falls off  and people forget about it, and articles and other references that were written about it disappear as other websites go down and print publications are forgotten, the "editors" that troll Wikipedia are quick to, um, edit. This circumstance indicates to me that Wikipedia is strongly subject to the bias of trends and culture. Rather than an accurate record of our shared history, Wikipedia will be an edited, deleted, and rewritten history. The same strength of having all people able to edit the wiki is the weakness that will bring out that bias.

I suppose it can be argued that truly noteworthy events, places, and people will stand the test of time. And maybe our cultural memory works like our own brain, having a short term and a long term, and needs to forget some things after a while, to make room for new memories.

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9Jan/100

W. Chicago, 1800-1900

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8Jan/101

Unreleased track #4: Gettin’ Jiggy Wit It

Yes, you read that right, a remix of Will Smith. Sometimes when programming a track that I don't have any vocal part for, I'll throw an acapella over it to get an idea for pacing and timing in the arrangement. In this case, I had Gettin' Jiggy Wit It laying around. I originally composed this track mostly from samples I recorded on The Atomica Project tour (special thanks to Corey McCafferty for his impromptu beat-boxing, and the Cheathams for their hospitality). Because of that, I was hoping to get J*Star, who we met in Cleveland, to rap over it. Once I had a demo instrumental, I passed it along to him, but he couldn't do anything with it, and neither could anyone else I passed it to. I'm not too suprised; the track jumps all over from 7/8 to 4/4 and things like that. So rather than collecting digital dust, I'm backpedaling to a Will Smith remix.

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download remix

Here's the instrumental:

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download instrumental

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7Jan/100

N. Wood, 900-800

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Sometimes I think these street recordings are all just of cars whizzing by, but the more I listen to them, the more I hear the subtleties. Like this one going from Augusta to Chicago Ave, the car noise subsides dramatically at the beginning, then picks up at the end as I approach Chicago Ave. And there's this machine drone in the background that I don't remember hearing.

Really these are what you hear walking down the street in Chicago. We just tend to tune some noises out after a while, and those noises sound especially odd while sitting in an office chair.

6Jan/100

W. Augusta, 1800

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cars, wind noise, footsteps, brake squeaking, dog nails clicking, car doors closing, leaves rustling

5Jan/100

end of 2009, new in 2010

The holidays, funerals, and the flu are over for me finally. The holidays always seem like a big pause in life to me. Like holding your breath for one out of every twelve minutes.

Beatserv did well in December with Bombs and Bits, and the free pack and sale. We'll be doing more of those quick, inexpensive sound libraries like BnB, but I think we'll continue with some more massive beat packs as well. Sometimes people attribute value to a product based on how it's priced, so cheap isn't always good.

Number Nine

Number Nine

I spent a couple weekends recording my friend's band, and then a week or so mixing it. The band still has to review the mixes and we'll make changes I'm sure, but the tracks have turned out good so far. I learned a hella lot about engineering and producing for someone else's band. Stuff like the producer also has to babysit everybody, er, I mean conduct and work everybody like an orchestra. And how to mic a mandolin. Additionally, we recorded a couple Beatles tunes, so I could closely compare what we were doing with what the Beatles did (we did things differently).

I started writing new songs this week. Finished sketching one out already, lyric, melody and structure. Writing a good song is a better high than any drugs, you know.

I've also been listening to a lot of CDs this week for some reason. I have this urge to go out and acquire more now.

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